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Behringer Modul Rs Driver

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Behringer Modul Rs Driver

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All of Mackie's Behringer Modul Rs of copyright and other IP infringement by Behringer were thrown out by courts in both the U. Put very simply, Mackie had no case against Behringer for IP infringement and it was thrown out of the court the first time a judge heard its claims.


It's easy to see why. Self evidentially, the control Behringer Modul Rs ie, where all the knobs, switches and buttons sit differs enormously between the two products. It follows immediately that the circuit boards inside the boxes cannot be identical - or even similar.

Closer examination reveals further, significant differences between the operation of the two products eg; signal flow is different. When the two circuit boards are Behringer Modul Rs side by side, the only similarity even to an expert eye is that they are both printed circuit boards. In fact, Behringer Modul Rs layout of controls on Mackie's product bears a great deal of resemblance to other competing products — eg; the UK produced Soundcraft Ghost mixer.

Mackie's claim for circuit board copying was thrown out at first sight by the U.

I eventually tracked down the former Mackie employee who designed the circuit in question for Mackie Behringer Modul Rs who gave written evidence in Mackie's claim against Behringer. I also looked at the circuit involved Mackie's claim for circuit copying was thrown out at first sight by the U.

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Mackie has since redesigned the circuit. Given the obvious physical and visible differences between the two mixers that were the subject of this dispute, the very different logos, advertising slogans, distribution channels the products were not sold through the same retail outlets it is extremely hard to see that Mackie's claim here had any greater prospect of success - or validity - than its claims of IP infringement. This part of Mackie's claim Behringer Modul Rs not Behringer Modul Rs by a court, however, as the two companies settled the matter privately before it was heard.

Though few people seem to have bothered, it's worth examining Mackie's behaviour in instigating and pursuing these claims.

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I discovered that Mackie had conducted a very successful if highly unfair media campaign against Behringer - which it commenced BEFORE it issued court proceedings against the company. For example, it published its allegations and claims against Behringer through press releases sent to music industry and recording publications and via the Internet.

Mackie's press Behringer Modul Rs are, in part, cited by this article to justify inclusion of the section under discussion. From the outset, Mackie's public stance was that it had a water-tight case and it solicited and gained much public support in the professional music community for Behringer Modul Rs supposed "wrongs" done to it.

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Cannily, as the issue of court proceedings prevented Behringer from making any public statement on Mackie's claims - and the eventual settlement contains a non-disclosure provision - to this day only Mackie's self-interested and disproven pronouncements are Behringer Modul Rs on the easily found public record. Mackie also pursued a strategy of driving up the costs to Behringer of defending the court proceedings issued by Mackie.

It eventually became obvious that there was no substance to Mackie's claims of IP infringement - the judge threw them all out on first sight. However, it's worth noting that the case dragged on for over Behringer Modul Rs years before a judge got sight of the evidence and was in a position to make a decision.

Two very expensive years for Behringer. As if this wasn't enough, Mackie also brought suit against Behringer in the UK courts. The question begs Behringer Modul Rs be asked But not before Behringer had been forced to hire UK lawyers, further divert its management and resources between the two claims now being heard on two continents. Recall that Behringer was much smaller than Mackie at this time.

Mackie's strategy of driving up costs eventually gained them an advantage.


On my understanding of the merits of the case, Mackie should not just have failed in its claim, it should have been forced to pay compensation to Behringer for the damage it had and, obviously still has done to Behringer Modul Rs company's reputation and business. In the real world of courts and lawyers, things are seldom so reasonably fair.

I have it on high authority from a source within Behringer that the company had to settle with Mackie because it could not afford the continuing legal and other costs to fight its case. The details of the settlement reached is, by agreement between the two companies, sealed and neither can discuss or reveal it publicly. Behringer Modul Rs have no knowledge of that private settlement but it is still worth looking at what is known in the public domain.

As part of Behringer Modul Rs settlement, Behringer agreed to withdraw the mixer at the heart of this dispute from the U. Mackie has made much of this in its publicity, claiming it to be a victory that supports all its claims.

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The reality is very different. All of Mackie's claims of infringement or improper behaviour by Behringer concerning this mixer had been comprehensively thrown out by the U. Mackie had also applied commercial and legal pressure to Behringer's U.


S distribution and Mackie gain another important distribution channel in its home market. In effect, it cost Behringer almost nothing to withdraw the product - apart from some loss of face which I'm Behringer Modul Rs it now bitterly regrets. To Mackie's cost, Behringer quickly established its own U.

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